Around the World: “WHY I QUIT PERFORMING” by Davide Arcuri

A few months ago I had a long conversation with Davide, about how different we can experience improv, when we are on stage, and when we are in a workshop room. The discussion was very intriguing, and Davide told me a story, why he quit performing improv. I asked him to write it down and let me translate and publish it on this blog, for Polish improvisers. And that was the first idea of Around the World series. And I’m really glad, that Davide wrote that text for me. When you are in Milan, Italy, go to see his Teatribu, to see how amazing, emotional, and phisical Italian improvisers are.

 

WHY I QUIT PERFORMING

Davide Arcuri

 

It’s been a couple of years since I quitted doing improv shows. I’ve been improvising for 15 years and I had several crises, as in every long and solid story, and then I came back stronger than ever on my steps. But this time, this crisis, was different. It was longer and it was relieving. I feel better now.

There are many reasons why I’m not performing anymore, but I can easily sum it up in one sentence: I’m not having fun anymore.

I obviously wondered about this lack of enthusiasm, and I thought that when you do something a lot, even if it’s wonderful as improv is, and, most of all, when a huge passion becomes your job, enthusiasm has to slow down a little.
But in my teaching path I had doubts, crisis, pain, difficulties, but never a fall or a willing to quit. So what’s happening?

Read More


Most important rule of improv. Ohana.

As you may know, I’m lucky to be in Ohana, the international “Family” of improvisers. During our meetings and workshops I always have with me my Improv Notebook, in which I gather questions and answers about many improv topics. During our week in Slovenia, in september, we were talking about thing like, how to deal with the bad show, about the strangest and most horrible shows, about most common styles of improv in our countries, and much more.

We were also talking about improv rules. There are many, but if you had to choose just one, the most important for you, what would that be? I chose to write about this topic first, because I believe, and I always say, that there is no One And The Only Truth, and One True Improv. If you want to create, and not just re-create, you must search for your own way, and your own sensitivity. And only you decide, what’s most important to you. Of course, all of the below are great improvisers, learning all the time, and developing all of the skills. Take a look, in how many ways you can see basicly the same things.

Read More


Ohana means (improv) family.

I came back from the best improv week of my life. A few days after returning from Slovenia, I’m still thinking about it, and celebrating this fire in my heart. People ask me – what exactly is Ohana? And I think, and see images and feelings, trying to answer in one sentence. And you know what? It’s not that easy.

Read More


Bloglovin’
Follow