I’m sitting in a beautiful theatre, during Polish film festival in Gdynia, waiting for another film to start. I’m here every year, for whole week, to see what’s going on in Polish cinema. Untill now I’ve seen, among others, oil painted film „Loving Vincent” about Van Gogh, a scientific film „Photon” about evolution of life and DNA since the big bang, about universe chemistry and physics, „Spoor”, very lovely, and dark picture of crime surrounded by animals by Agnieszka Holland, that may get an Oscar, „Panic attack”, a few connected stories about people on the edge of losing control. Very different movies. How is it connected to improv? Just a second.

This festival is strongly connected to my Gdynia Film School, where I was studying directing. I’ve been working with various, very experienced directors, actors, screenwriters, etc. Each of them had own artistic vision and philosophy. And we had exams, where we had to show our films. And during that, all of them were sitting in a row, watching. And giving notes after. You think you would get one answer? No. From the point of view of CRAFT, yes, they mostly agreed. But from the point of ART, you received all different feedback. And even if you’d like to please all of the teachers – it’s impossible.

And that was a great lesson for improv.

I smile silently when I hear that someone thinks he OWNS THE TRUTH. Knows the right way. I also smile silently when I hear that someone plays „slow improv”, because it’s true improv. Only Harold, because it’s The Improv. Or that there is one definition of improv that we all have to follow.

I rise my brows silently, when in the workshop (that I participate, or teach, doesn’t matter) someone comments „But <this cool famous teacher> said this <other thing>”.

What I want to say is HAVE YOUR OWN BRAIN.

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